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When Tennessee was Tom

Tennessee Williams's 'Stairs to the Roof' (second review)

Is drama meant to be taken seriously?

What happens when you treat a dramatic play as farce? Lane Savadove’s production of an early Tennessee Williams play makes you wonder how other great playwrights would fare under his whimsical direction.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Black Grace: A repeatedly recycled routine of calisthenics

Black Grace at the Annenberg Center

Calisthenics as dance

The choreography in Black Grace's program at the Annenberg was a mixed bag, full of exuberance and young promise, yet lacking the heft of a mature artist.
Gary L. Day

Gary L. Day

Articles 2 minute read
A perfect backdrop. (Photo by Bryn Y.W. Shin, via Creative Commons/Wikimedia.)

Three chamber concerts

And the winner is....

The Philadelphia Chamber Music Society and the University of Pennsylvania presented three chamber music concerts that deserve awards in three important categories.
Tom Purdom

Tom Purdom

Articles 4 minute read
Go, Russia! Putin and Gergiev. (Photo credit: www.kremlin.ru)

Valery Gergiev conducts the Philadelphia Orchestra

Three Russian war symphonies

Valery Gergiev brought three Russian war symphonies to Verizon Hall, perhaps to make a political as well as musicological point on his controversial current tour. As always, he brought novel ideas dynamically expressed, with particularly good results in Prokofiev’s Fifth Symphony.
Robert Zaller

Robert Zaller

Articles 6 minute read
Flashy and complex: Simon and Várjon.

Musicians from Marlboro II at PCMS

A taste of the surreal, and a "ghostly" presence

These consummate musicians artfully employed the spectral appearance of otherwise hidden connotations to achieve a postmodern surrealism which, rather than disturbing the composers’ intentions, added to the interest and intrigue of the works.
Victor L. Schermer

Victor L. Schermer

Articles 4 minute read
Scolding and belittling. (All photos © 2014 - Fox Searchlight)

Iñárritu’s ‘Birdman’ (second review)

A bird’s-eye view

Few seem to have recognized that there’s a reason for handling Birdman’s entire narrative as a single take. That reason is simple: The filmmakers effectively personalize the camera’s perspective — someone, and not just something, is roaming around backstage at the theater.
Judy Weightman

Judy Weightman

Articles 6 minute read
O'Brien (center) and coworkers: Power to the little people.

Tennessee Williams’s ‘Stairs to the Roof’

Before Williams was Williams

Stairs to the Roof is early Tennessee Williams as you’ve never seen him — a wacky, surrealistic farce. Director Lane Savadove’s stylized physical movements manage to transform a simplistic script into sparkling entertainment.
Steve Cohen

Steve Cohen

Articles 2 minute read
500 years of dynamic rocks and charismatic trees

Art of the Kano at the Art Museum

Family reunion, once in a millennium

The Kano family dominated Japanese art for five centuries, but their work was never seen outside Japan. So the Art Museum’s current show is a rare treat for Americans, not to mention at least one Kano descendant who lives here.
Steve Cohen

Steve Cohen

Articles 3 minute read
Eschewing the cobra: Fadeley and Peters in “Prodigal Son” (photo by Alexander Iziliaev)

Prokofiev’s 'Prodigal Son' at the Pennsylvania Ballet (second review)

Loving the prodigal

Prodigal Son is one of only two Balanchine ballets from the Diaghilev period that survive to this day, no doubt because men and women still grapple with sin, evil, and justice, and because sons continue to rebel and fathers to forgive.
Sharon Skeel

Sharon Skeel

Articles 3 minute read
Expressive spikiness: Ian Hussey and Oksana Maslova in “Polyphonia” (photo by Alexander Iziliaev)

Prokofiev’s 'Prodigal Son' at the Pennsylvania Ballet (first review)

Going home again

The Pennsylvania Ballet Company has grown into a first-class troupe under Artistic Director Angel Corella, as its midwinter program showed.
Robert Zaller

Robert Zaller

Articles 3 minute read