Articles
6207 results
Page 252
Philadelphia Orchestra plays Bernstein's 'Mass' (second review)
Music-theater or agitprop?
Is Leonard Bernstein’s Mass gospel music, classical, Broadway, or rock ‘n’ roll? Yes. All of those and more.
Articles
3 minute read
Philadelphia Orchestra plays Bernstein's 'Mass' (first review)
Singin’ the liturgical blues
Leonard Bernstein’s Mass was, with 1600 Pennsylvania Avenue, the flop of his career. Its belated Philadelphia premiere, despite an elaborate production, showed why.
Articles
5 minute read
Freeman Dyson's 'Dreams of Earth and Sky'
The iconoclastic generalist
As a scientist who has wrestled firsthand with the moral quandaries of mass destruction and total war, Dyson is quite aware of the seemingly intransigent problems that continue to plague humanity. But he's confident that science, free inquiry, and democracy will yet allow the better angels of human nature to prevail and prosper.
Articles
4 minute read
'Kinky Boots' at the Academy of Music
Gender identity issues set to music
Kinky Boots, with its catchy tunes and outrageous costumes, has come to Philadelphia at just the right time, to remind us that “you can change the world when you change your mind.” And you can have a good time while you’re doing it.
Articles
4 minute read
'The King and I,' 'An American in Paris,' and 'Something Rotten!'
Too many musicals?
“Too much of a good thing can be wonderful,” Mae West once said. Does that also apply to Broadway musicals this season?
Articles
5 minute read
Tempesta di Mare, Café et Catastrophe
A novel brew and a classic tale
Tempesta di Mare celebrated coffee and recounted a Greek tragedy in a recreation of an 18th-century French musical salon.
Articles
4 minute read
FX's 'Justified'
Good-bye to a great bad guy
Justified shows the edgy, hand-on-your-gun relationship between lawman and outlaw in “Bloody Harlan.”
Articles
3 minute read
The trouble with Verdi’s ‘Don Carlo’
Sympathy for a tyrant
Verdi's Don Carlo is an opera that’s better heard than seen. Because the unevenness of its dramatic line tends to undercut the beauty of the music, Don Carlo is worth attending only for the chance to hear vibrant voices — which, happily in this case, were mostly magnificent.
Articles
7 minute read
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'Who's Afraid of Virginia Woolf?' by Theatre Exile (second review)
Fun and games in academe
Why do some bad marriages last? Perhaps, Edward Albee seems to be saying, because the joy of tormenting each other offers the illusion of happiness.
Articles
4 minute read
Eugene O'Neill's 'Hairy Ape' at EgoPo (2nd review)
Expressing inequality
The intentions of a playwright and a theater company mesh perfectly as EgoPo presents a visceral, Expressionist production of The Hairy Ape.
Articles
3 minute read