Articles

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Page 252
A celebration of community. (Photo: Pete Checchia/Philadelphia Orchestra)

Philadelphia Orchestra plays Bernstein's 'Mass' (second review)

Music-theater or agitprop?

Is Leonard Bernstein’s Mass gospel music, classical, Broadway, or rock ‘n’ roll? Yes. All of those and more.
Steve Cohen

Steve Cohen

Articles 3 minute read
Yannick: giving the Celebrant a run for his money.  (Photo: Pete Checchia/Philadelphia Orchestra)

Philadelphia Orchestra plays Bernstein's 'Mass' (first review)

Singin’ the liturgical blues

Leonard Bernstein’s Mass was, with 1600 Pennsylvania Avenue, the flop of his career. Its belated Philadelphia premiere, despite an elaborate production, showed why.
Robert Zaller

Robert Zaller

Articles 5 minute read
Freeman Dyson beholds Luci, a self-contained solar-power lighting device. (Photo by Esther Dyson via Creative Commons/Flickr)

Freeman Dyson's 'Dreams of Earth and Sky'

The iconoclastic generalist

As a scientist who has wrestled firsthand with the moral quandaries of mass destruction and total war, Dyson is quite aware of the seemingly intransigent problems that continue to plague humanity. But he's confident that science, free inquiry, and democracy will yet allow the better angels of human nature to prevail and prosper.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
“Two-and-a-half feet of tubular sex.” (Photo by Matthew Murphy)

'Kinky Boots' at the Academy of Music

Gender identity issues set to music

Kinky Boots, with its catchy tunes and outrageous costumes, has come to Philadelphia at just the right time, to remind us that “you can change the world when you change your mind.” And you can have a good time while you’re doing it.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
The man I love has got rhythm: Fairchild and Cope in “An American in Paris.” (photo © 2014 Angela Sterling)

'The King and I,' 'An American in Paris,' and 'Something Rotten!'

Too many musicals?

“Too much of a good thing can be wonderful,” Mae West once said. Does that also apply to Broadway musicals this season?

Carol Rocamora

Articles 5 minute read

Tempesta di Mare, Café et Catastrophe

A novel brew and a classic tale

Tempesta di Mare celebrated coffee and recounted a Greek tragedy in a recreation of an 18th-century French musical salon.
Tom Purdom

Tom Purdom

Articles 4 minute read
The triumph of law and order. (Photo © 2015, FX Networks.)

FX's 'Justified'

Good-bye to a great bad guy

Justified shows the edgy, hand-on-your-gun relationship between lawman and outlaw in “Bloody Harlan.”
Bob Ingram

Bob Ingram

Articles 3 minute read
A Spain where the sun never shines. (Photo: Kelly & Massa.)

The trouble with Verdi’s ‘Don Carlo’

Sympathy for a tyrant

Verdi's Don Carlo is an opera that’s better heard than seen. Because the unevenness of its dramatic line tends to undercut the beauty of the music, Don Carlo is worth attending only for the chance to hear vibrant voices — which, happily in this case, were mostly magnificent.
Dan Rottenberg

Dan Rottenberg

Articles 7 minute read

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Let the games begin. (photo by Paola Nogueras)

'Who's Afraid of Virginia Woolf?' by Theatre Exile (second review)

Fun and games in academe

Why do some bad marriages last? Perhaps, Edward Albee seems to be saying, because the joy of tormenting each other offers the illusion of happiness.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
A botched attempt to communicate: Scammell and Minora. (photo via theatrephiladelphia.org)

Eugene O'Neill's 'Hairy Ape' at EgoPo (2nd review)

Expressing inequality

The intentions of a playwright and a theater company mesh perfectly as EgoPo presents a visceral, Expressionist production of The Hairy Ape.
Steve Cohen

Steve Cohen

Articles 3 minute read