Articles

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Page 243
If she can talk on the phone, why can't I? (LuPone in "Shows for Days")

Audiences behaving badly

A comedy of manners

Where is Emily Post when we need her? There’s a crisis in the theater — and it’s not on the stage.

Carol Rocamora

Articles 3 minute read
Katharine Drexel: Unlike most saints, an upbeat pragmatist.

Cordelia Biddle’s ‘Saint Katharine’

Who was Katharine Drexel?

Katharine Drexel’s canonization in 2000 has galvanized the faithful but complicated the search for the real woman. It’s tough to write objectively about a saint, especially when the market demands genuflection.
Dan Rottenberg

Dan Rottenberg

Articles 9 minute read
The West Chester Courthouse, the way Horace Pippin saw it.

Horace Pippin: The Way I See It at Brandywine River Museum

An authentic artist

With fans like N.C. Wyeth and Albert Barnes, West Chester native Horace Pippin was clearly more than just a folk artist.
Judy Weightman

Judy Weightman

Articles 3 minute read
Kaitlyn Bristowe in tears. (Photo courtesy of ABC)

‘The Bachelorette’

Is it love, or is it emotional abuse?

How do we tell the difference between love and emotional abuse? The dividing line is not always clear, as exemplified by the relationship between Kaitlyn and her suitors on this season of The Bachelorette.
Naomi Orwin

Naomi Orwin

Articles 6 minute read
"Trolley, New Orleans," Robert Frank, 1955. Photo used on the cover of “The Americans”

Considering Robert Frank

Robert Frank finishes first and last

Unlike earlier “street photographers” like Cartier-Bresson or “documentarians” like Walker Evans, Frank was not interested in order, structure, decisiveness, or public policy. Rather, Frank’s was a gruff, sharp-eyed and -tongued look at the underbelly of American society.

Tom Goodman

Articles 5 minute read
The world is so cold: Oscar Isaac in 'Inside Llewyn Davis.' (Photo by Alison Rosa - © 2013 - CBS Films)

The Coen brothers and black cloud movies

Why are we laughing?

Though the Coen brothers didn’t invent the movie genre in which misfortune after misfortune is visited on the protagonist, they have certainly cornered the market.

Ryan Dellaquila

Articles 3 minute read
The great man: "Victor Hugo on his Death Bed." (both photos courtesy of the Philadelphia Museum of Art)

'Adventures in Photography' and 'Take One' at PMA

From snapshots to art

Two complementary exhibits at the Philadelphia Museum of Art provide a brief tutorial on the evolution of picture-taking.

Pamela J. Forsythe

Articles 6 minute read
“Martini Splash” (photo by THOR via Creative Commons/Flickr)

George Pelecanos’s 'Martini Shot'

Evenhanded complexity

George Pelecanos has the ability to make us care about people in the humblest walks of life, including those on criminal paths, through dialogue that sounds like real people talking.
Rick Soisson

Rick Soisson

Articles 3 minute read
Tables as doors, platforms, barriers. (Photo by Said Johnson)

Silvana Cardell's 'Supper, People on the Move'

Empathy for émigrés and exiles

Supper, People on the Move is a thoughtful, important work for not only its serious exploration of the immigrant experience, but also as a powerful example of dance as a mode for social history and political advocacy. With effortless shifts between moods and movement styles, Supper reflects the desperation, precariousness, and turmoil of immigrant life.

Samantha Maldonado

Articles 4 minute read
Juveniles in jeopardy: Nick Robinson and Ty Simpkins

'Jurassic World'

Nostalgiasaurus rex

In the end, T-Rex doesn’t lose its monster status because of our blasé 21st-century attitude to computer-generated beasts; it becomes a bona fide character through our own nostalgia for its original film incarnation and its evolving role in the action.
Alaina Johns

Alaina Johns

Articles 5 minute read