Articles

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“Covered Peaches,” by Raphaelle Peale, who was America’s first professional still-life painter.

Audubon to Warhol: The Art of the American Still Life

Portraying a new nation through its objects

This lively, well-thought-out exhibit successfully makes the case that the new nation put its own twist on the still life and that Philadelphia was an important location for several chapters in that story.
Judy Weightman

Judy Weightman

Articles 3 minute read
Recording despite enormous risks. (Photo by Nathan Yakobovitch)

'East Jerusalem/West Jerusalem' at the Philadelphia Jewish Film Festival

Make music, not war

East Jerusalem/West Jerusalem documents an eight-day collaboration between Israeli, Palestinian, and American musicians making an album in an East Jerusalem music studio. The project, led by Israeli singer/songwriter David Broza, shows what can be achieved when human interaction replaces politics.
Stacia Friedman

Stacia Friedman

Articles 4 minute read
We’re not gonna take it anymore. (Photo © Joan Marcus)

'Matilda the Musical' at the Academy of Music

Comedy and cruelty

There’s often an element of cruelty associated with children’s stories. Do the writers of these tales really hate children, or are they warning would-be parents to think twice before bringing the little monsters into the world?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Human actors playing rabbits without seeming like Easter bunnies.

'Watership Down' by Simpatico and Drexel

Rabbits Run!

Watership Down out-star wars Star Wars and hops past The Walking Dead with a gripping survival story about rabbits in the English countryside.
Mark Cofta

Mark Cofta

Articles 2 minute read
Does he look like a pirate? Ross (left) with Loney, Michelle Tauber, and Heflin.

Shaw's 'Heartbreak House' by Delaware's Resident Ensemble Players

A joyous, yet harrowing, Heartbreak House

The University of Delaware's professional Resident Ensemble Players does a service by producing one of George Bernard Shaw's great plays.
Mark Cofta

Mark Cofta

Articles 3 minute read
Virginia Maksymowicz, "She Talks Too Much"

Old Enough to Know Better at Crane Arts

Subversive wisdom

Old Enough to Know Better is an energizing, maximalist show that includes art of all kinds, all reflecting the stubbornness and resilience essential to female artists pursuing their vocation.

Samantha Maldonado

Articles 4 minute read
Still alive: Keith Richards. (Illustration for BSR by Mike Jackson of alrightmike.com)

Keith Richards: 'Life' and 'Under the Influence'

The importance of being Keef

It's hard to separate Keith Richards, the man, from his depraved persona, but a Netflix documentary may finally do so.
Judy Weightman Illustration by Mike Jackson

Judy Weightmanand Illustration by Mike Jackson

Articles 6 minute read
“Door of death row cell” by Arthur Tyler. Monotype. (Courtesy of the artist)

Drawing the imagery of death row

A door, a bed, and a toilet

I ask Arthur Tyler, released from death row, if art might be a means to explore life on death row. I don’t know what I mean by this question. Yet I know drawing can be an excavation of what is seen, so I ask him to keep a visual journal, drawing whatever comes into his head, like visual free associations.
Treacy Ziegler

Treacy Ziegler

Articles 5 minute read
Who wants to find the truth? (Photo by Kerry Hayes)

Tom McCarthy's 'Spotlight' (first review)

Unlocking omerta

Spotlight shows how a group of reporters uncovered the Catholic Church’s decades-long omerta concerning priests sexually abusing children.
Armen Pandola

Armen Pandola

Articles 4 minute read
A solid Philadelphia debut. (Photo by Marco Borggreve)

The Michelangelo Quartet makes its Philadelphia debut

Beethoven, our contemporary

The Michelangelo Quartet made its long-delayed Philadelphia debut with a program of three of the medium’s masters, Haydn, Beethoven, and Shostakovich.
Robert Zaller

Robert Zaller

Articles 4 minute read