Articles

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Did Théodore Géricault exploit the 15 people who survived? In all, 147 were set adrift on rafts after an 1816 shipwreck. (“The Raft of the Medusa,” 1819)

Exploitation and social activism in modern art

Making art out of other people's problems

Trained in both art and social work, Treacy Ziegler unpacks some of the complicated issues around art, exploitation, and social activism.
Treacy Ziegler

Treacy Ziegler

Articles 5 minute read
The hairdo, the lipstick, the gloves: Cate Blanchett in “Carol." (© 2015 – StudioCanal)

Todd Haynes's 'Carol'

Loved Carol, not Carol

Cate Blanchett fans will enjoy this vehicle, but Carol's engine misfires too often. Cate’s glowing character may be a lonely store clerk’s fantasy, but how might she have been treated in real life?

Michael Woods

Articles 4 minute read
McAdams, Keaton, Ruffalo: Triumphant moment, or a last gasp? (Photo: Open Road Films)

Tom McCarthy’s ‘Spotlight’ (second review)

Journalism’s rise and fall

Journalism was once a refuge for adventurers and drunks. Today, at its best, it’s become a moral role model even for the Vatican, as Spotlight compellingly demonstrates. But this is no time for self-congratulation.
Dan Rottenberg

Dan Rottenberg

Articles 8 minute read
Finding meaning, hope, and forward movement: Jeanne Krausman. (Photo courtesy of the author)

Meet Jeanne Krausman

A long musical life

She gave herself a “musical Bat Mitzvah” at 83, followed, at 85, by seven consecutive daily performances of a short living room recital. Jeanne Krausman was preparing for her final concert, at 89, when fate intervened.
Maria Thompson Corley

Maria Thompson Corley

Articles 4 minute read
David Bowie, the Serious Moonlight Tour, c. 1983. Photo by Jeffchat1 via Creative Commons.

Three things I learned from David Bowie

Kile Smith accepts David Bowie's "serious moonlight" invitation.
Kile Smith

Kile Smith

Articles 5 minute read
A “scientific” conductor — whatever that meant: Pierre Boulez. (Photo by Harald Hoffmann via classicalmusicmagazine.org)

Pierre Boulez: An appreciation

Boulez est mort

Boulez infamously declared, in 1952, that “any musician who has not experienced — I do not say understood, but truly experienced — the necessity of dodecaphonic music is useless.” I have always relished his gleeful courage, his delight in the new, his call to push boundaries outward as a kind of artistic imperative.

Articles 4 minute read
L’chaim! Burstein and Adam Dannheisser (Photo by Joan Marcus)

Bartlett Sher's 'Fiddler on the Roof' on Broadway

Tevye returns

Bartlett Sher’s luminous new production of Fiddler on the Roof brings a special grace and a haunting context to this Broadway classic.

Carol Rocamora

Articles 4 minute read
Plenty of "attytude" from all three Maries. (Illustration for BSR by Mike Jackson of alrightmike.com)

Michael Ogborn's 'Three Maries'

A new homegrown musical

A new musical by a hot local talent celebrates Philadelphia's lovable clichés.
Mark Cofta Illustration by Mike Jackson

Mark Coftaand Illustration by Mike Jackson

Articles 3 minute read
Paul Grand, “Union Square Subway Station,” 2000. Kodak Endura paper, New York City.

Paul Grand: Beyond the Surface at the Michener Museum

Grand's illusions

“I’m not the first photographer to shoot walls, but I may be the only one who concentrates on peeling walls,” Paul Grand said. He discovers great beauty in what most people would overlook.

Jane Biberman

Articles 2 minute read
Cole in 2007 (Photo by dbking via Creative Commons/Wikimedia)

Natalie Cole: An appreciation

What set Natalie Cole apart from the other popsters trying to make like Frank Sinatra or Tony Bennett was her depth, her sincerity, and her understanding of the lyric and where it came from — all of which came, in part, from her father’s example.
Bruce Klauber

Bruce Klauber

Articles 3 minute read