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Childs: Obscurity is just around the corner? (Photo: Mark Garvin.)

Jennifer Childs’s ‘I Will Not Go Gently’ (1st review)

Am I still relevant?

Aging is tough, but it beats the alternative. So goes the old joke. Jennifer Childs’s latest play and Ellensue Gross’s paintings provide fresher responses.
Steve Cohen

Steve Cohen

Articles 3 minute read
Lee, beyond the winter of her discontent.

An open letter to Harper Lee

Mockingbird America, then and now

Racial ignorance and fear have retreated since To Kill A Mockingbird first appeared; its often maligned author deserves some of the credit.
Henrik Eger

Henrik Eger

Articles 6 minute read
Stone: Childhood turning point. (Photo: Andy Kahl.)

Tempesta di Mare does Venice and Naples

Pleasures of the recorder and lute

Six of Tempesta di Mare’s principals went one-to-a-part with music from two of Baroque Italy’s musical capitals.
Tom Purdom

Tom Purdom

Articles 3 minute read

Aeschylus’s ‘The Eumenides’ at the Penn Museum

A hot time in the old tomb

In The Eumenides, Aeschylus first captured that moment when pre-literate Greeks first turned away from revenge and looked instead to the goddess Athena for wisdom, justice and reason. It’s not a bad recipe for our present age of fear and anger.
Helen Buttel

Helen Buttel

Articles 5 minute read
Heflin, Matarrese, Tague, Ernst: Artificial barriers.

Ayckbourn’s ‘Things We Do For Love’ in Delaware

An absurdist with a grasp of real life

Think Alan Ayckbourn is the English Neil Simon? Think again. He's more like the English Anton Chekhov.
Mark Cofta

Mark Cofta

Articles 3 minute read
Would you believe last night they did 'Macbeth'? (Photo: Kendall Whitehouse.)

Shakespeare Theatre’s ‘Twelfth Night’

The Bard turned upside down

Seen together in repertory, Shakespeare’s romantic comedy Twelfth Night and the tragic Macbeth are greater than the sum of their parts.
Mark Cofta

Mark Cofta

Articles 3 minute read
Vasquez, Bybee: Sympathy for a killer. (Photo: Doria Bybee.)

AVA’s Puccini double bill

Dirty deeds along the Seine

Puccini’s neglected Il Tabarro usually gets no respect. But it shines in an innovative new production by the Academy of Vocal Arts.
Steve Cohen

Steve Cohen

Articles 4 minute read
Tuomanen (left), Anthony, Beschler: No spoiler alert needed. (Photo: Dave Sarrafian.)

Sophie Treadwell’s ‘Machinal’ by EgoPo (2nd review)

. . . But roses have thorns

In 1the 1920s the repressed protagonist of Machinal murdered her husband. Today’s women have found healthier outlets for their frustrations.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Murder as an antidote for quiet desperation. (Illustration for BSR by Mike Jackson of alrightmike.com)

Sophie Treadwell’s ‘Machinal’ by EgoPo (1st review)

Ground down by the urban machine

After nearly 90 years, Sophie Treadwell’s Machinal still packs its Expressionist message about the dehumanization of people — especially women — in a mechanized society.
Robert Zaller Illustration by Mike Jackson

Robert Zallerand Illustration by Mike Jackson

Articles 5 minute read
He might have made it earlier, if....

Ken Burns examines ‘Jackie Robinson’

Let my people play ball

When Jackie Robinson integrated Major League Baseball in 1947, he confronted mindless bigotry, especially in Philadelphia. But some white Philadelphian rejoiced, as I can personally attest.
Steve Cohen

Steve Cohen

Articles 4 minute read