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L to R: Keiper's Léonide gets laughs, but Robbins's Corrine steals the show. (Photo by Mark Garvin.)

Bristol Riverside Theater presents 'The Triumph of Love'

Not quite a triumph

A musicalization of Marivaux’s ‘The Triumph of Love,’ at Bristol Riverside Theatre, fails to balance the source play’s humor and pathos. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
Matthew Decker's inventive staging adds extra poignancy to the play's setting. (Photo by Alex Medvick.)

Theatre Horizon presents Rick Elice and Wayne Barker's 'Peter and the Starcatcher'

Catch this star

Theatre Horizon offers a whimsical, wistful, and refreshingly feminist take on the popular ‘Peter and the Starcatcher.’ Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
Gregory Isaac and Suli Holum on the upswing. (Photo by Mark Garvin.)

1812 Productions presents Michael Hollinger's world premiere 'Hope and Gravity'

Hope floats, gravity sucks

Michael Hollinger’s world premiere 'Hope and Gravity,' by 1812 Productions, seems to float amiably until its powerful ending sends us simultaneously down and up. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 3 minute read
Morgan Neville's portrait of Fred Rogers uncovers the man behind the sweater. (Photo courtesy of Focus Features.)

The top docs at Philadelphia Film Society's SpringFest

Getting to know you

The top three documentaries at the Philadelphia Film Society's SpringFest are all about getting to know someone a little bit better. Stephen Silver reviews.
Stephen Silver

Stephen Silver

Articles 3 minute read
L to R: Davis and Theron share an uneasy bond as nanny and mom in 'Tully.' (Photo courtesy of Focus Features.)

Philadelphia Film Society's SpringFest presents Jason Reitman's 'Tully'

The parent trap

Jason Reitman and Diablo Cody’s 'Tully' tells a surprising story about modern motherhood, and marks a return to form for the 'Juno' director and writer. Stephen Silver reviews.
Stephen Silver

Stephen Silver

Articles 3 minute read
L to R: Dougherty, Duchovnay, and Anderson, whose Schicchi makes a notable appearance in a Gilbert-and-Sullivan-style getup.  (Photo by Joe del Tufo, Moonloop Photography.)

OperaDelaware presents Puccini's 'Gianni Schicchi' and Michael Ching's 'Buoso's Ghost'

The triptych ends with a "Schi-quel"

OperaDelaware's final installment of Puccini's 'Il Trittico' gets a little extra time and comedy. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Articles 4 minute read
Youngblood and Calenos portray 'Il Tabarro's' unhappily married barge-dwelling couple. (Photo by Joe del Tufo, Moonloop Photography.)

OperaDelaware presents Puccini's 'Il Tabarro' and 'Suor Angelica'

Two-thirds of the triptych

OperaDelaware celebrates the centenary of Puccini's “Il Trittico” by splitting it in two and adding a sequel. Gail Obenreder reviews Part I.
Gail Obenreder

Gail Obenreder

Articles 4 minute read
Joaquin Phoenix's Joe helps Ekaterina Samsonov's Nina escape sex traffickers. (Photo via IMDB.com.)

Lynne Ramsay's 'You Were Never Really Here'

Divine hammer

Joaquin Phoenix's raw intensity elevates Lynne Ramsay's 'You Were Never Really Here' from a run-of-the-mill action movie. Robert Zaller reviews.
Robert Zaller

Robert Zaller

Articles 3 minute read
L to R: Stephen Novelli, Graham Smith, and Brian Anthony Wilson play characters they'd never otherwise perform onstage. (Photo by Mark Garvin.)

People's Light presents Zak Berkman and Samantha Reading's 'Romeo & Juliet: A Requiem'

New life for an old story

Samantha Reading and Zak Berkman’s retelling of Shakespeare’s 'Romeo & Juliet' at People’s Light & Theatre Company may seem redundant but proves its worth. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 3 minute read
Mary Elizabeth Scallen's Rosemary is a hoarder, but you'd never know it by looking at Sara Outing's clean set. (Photo by Marv Kaplan.)

Juniper Productions presents Jessica Bedford's 'Splinter and Crack'

Weak foundation

Jessica Bedford’s 'Splinter and Crack,' Juniper Productions’ sophomore production, can’t support its own weight. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 3 minute read