Helen Walsh BS Rauthors 032318

Helen Walsh

Contributor

BSR Contributor Since March 23, 2018

Helen Walsh (she/her pronouns) is a writer, translator, and central Pennsylvania native. She received undergraduate degrees in History and Italian from Wellesley College, and taught abroad before moving to the City of Brotherly Love. She currently lives in West Philadelphia and enjoys the novelty of SEPTA trolleys and running in the city.

Helen Walsh is a Philadelphia-based writer and translator whose interests include American fiction and contemporary Italian fiction by female authors. She spent several years in Italy in various capacities, including Università di Bologna student, Vatican Museums intern, au pair, and geography teacher. Her eclectic background has impressed upon her the value (and occasional difficulty) of communication, and she is committed to provoking thoughtful, real-world engagement through writing.

Helen studied History and Italian at Wellesley College, and moved to Philadelphia in the summer of 2017 to pursue Spanish language studies. While still working on her español, in her free time she also translates short fiction from Italian to English, plays the viola, and dreams of the Allegheny Mountains. She can often be seen running along the banks of the Schuylkill River.

By this Author

29 results
Page 1
The latest volume of ‘Travel by Haiku’ offers switchback dashes of poetry and prose. (Image courtesy of A Freedom Books.)

‘Travel by Haiku’ by Marshall Deerfield

Take a ride down Route 575

‘Travel by Haiku, volumes 6–10: Far Out on the Road with Friends’ offers free spirits a back seat in a collaborative road trip across the American West. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Reviews 3 minute read
Back when bronze was here to stay: the statue of Frank Rizzo before its removal earlier this summer. (Photo by Caitlin Martin, courtesy of the Association for Public Art.)

What’s next for the Frank Rizzo statue?

A real monument to the people

The Frank Rizzo statue is in city storage. What did the bronze body and its removal signify, and what comes next? Helen Walsh considers.
Helen Walsh

Helen Walsh

Essays 4 minute read
This silk lamé evening gown by Elsa Schiaparelli is from the late 1930s. (Photo by Michael Shepherd for FHCC.)

Drexel’s Robert and Penny Fox Historic Costume Collection dons a digital design

Textiles and hypertext

Virtual galleries and digital museum tours have met a whole new era in the pandemic. Helen Walsh takes a look at Drexel's Fox Historic Costume Collection, which you can find on Google Arts & Culture. Do online experiences like this go beyond reality and website?
Helen Walsh

Helen Walsh

Articles 5 minute read
If you can run a race anywhere, why do it in a national historic park? (Illustration by Hannah Kaplan for Broad Street Review.)

Should we honor “hallowed” ground at Gettysburg by running marathons there?

A historic finish

Confusion at Gettysburg National Military Park illustrates how running—and specifically, racing—in national historical and military parks might be a crucible for the interpretation of our national history. Helen Walsh considers.
Helen Walsh Illustration by Hannah Kaplan

Helen Walshand Illustration by Hannah Kaplan

Essays 8 minute read
Don’t underestimate the new guard: pianist Sullivan Fortner. (Image courtesy of the artist.)

The Future of Jazz Piano presents Sullivan Fortner

The new generation of jazz

Second of three artists featured in the Future of Jazz Piano series at St. Stephen’s, Sullivan Fortner shows virtuosic verve and promises a bright future — both for jazz and the concert series. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 3 minute read
There’s more to Matthew Trueman’s book cover image than meets the eye in print. (Image courtesy of the Brandywine River Museum of Art.)

The Brandywine River Museum of Art presents ‘Holidays & Snowdays’

A storybook holiday

'Holidays & Snowdays,' the Brandywine River Museum of Art’s enchanting display of illustrations from three recent children’s books, outshines the museum’s stodgier offering currently on loan. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 3 minute read
Vanderslice Manor contains secrets, and the audience has the answers. (Photo courtesy of FringeArts.)

Philly Fringe 2018: Noah Levine's 'The Arcane Mysteries of Vanderslice Manor'

Mysteries and soliloquies

'The Arcane Mysteries of Vanderslice Manor' presents an informal wink and nod to whodunit greats, with a mysterious twist. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 2 minute read
In this singular office, the papers sigh along with the clerk. (Photo by Daniel Kontz.)

Philly Fringe 2018: Trey Lyford’s ‘The Accountant’ (second review)

A little paper goes a long way

The Curated Fringe visits an aging office clerk who’s consumed by regret and loss, rendered in piquant detail in The Accountant. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 2 minute read
This unusual journey begins in a museum's kitchen. (Image courtesy of Filatelia International & Company Aiello.)

Philly Fringe 2018: Filitalia International & Company Aiello’s ‘Onwards and Upwards’

A dream in limbo

Angelo Aiello’s original production 'Onwards and Upwards' gets lost in transit. Ostensibly an exploration of Italian American immigration and the immigrant experience, it lacks polish and a plot, leaving its audience adrift. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 2 minute read
"Bust of Mary McLeod Bethune," (date unknown), by Selma Burke. (Photo via Woodmere Art Museum: Gift of the private collection of Charles L. Blockson, 2018.)

Woodmere Art Museum Annual: 77th Juried Exhibition

Placing us in corpus

The Woodmere Art Museum engages viewers — physically and intellectually — with pressing contemporary themes through works of artistic virtuosity. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 4 minute read
Artist Anki King weaves branches along the banks of the Schuylkill. (Photo courtesy of Art in the Open.)

Art in the Open 2018

Art in the Open stays in the box

Philadelphia’s Art in the Open exhibition seeks to explore the nexus of city and nature, but in 2018 had difficulty drawing back a curtain of rain.
Helen Walsh

Helen Walsh

Articles 4 minute read
“003 Graziani’s Fence, near Jaghbub, Libya” stretches more than 200 miles across the desert. (Photo by Matthew Arnold, courtesy of Gravy Studio + Gallery.)

Matthew Arnold's 'Topography is Fate: North African Battlefields of World War II'

Worlds and wars away

Matthew Arnold travels through the North African battlefields of World War II and brings back photographs that leave much left unsaid. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 3 minute read
Each stamen doth some scene renew / That in our memory found a place / On each corolla we may view / The form of some familiar face. —Mary Ellen Shafer, “Hair Flowers” (from the collection of John Whitenight and John LaValley; photo by Alan Kolc.)

Mütter Museum presents 'Woven Strands: The Art of Human Hair Work'

The fibers of our being

Just in time for Women’s History Month, the Mütter Museum curates a curious collection of Victorian hair art. Helen Walsh reviews.
Helen Walsh

Helen Walsh

Articles 4 minute read
Pax Ressler as Viola and Angela Bey as Duke Orsino in Clark Park. (Photo by Hannah Van Sciver.)
A section of Didier William's 'Rara' (2017); collage and wood carving on panel. (Image courtesy of PAFA.)