It's outwardly a pretty quiet week at BSR, but as always, we're busy planning coverage, percolating partnerships and events, and welcoming some new Friends (monthly donors). If we sent out a fundraising email each morning this week, that would still be about 100 fewer emails than you're likely to get from various political campaigns before the end of the month. We're always humbled and excited to see that even when things feel so dire in the greater world, our readers step up and support Philly arts journalism. Because they know that engaging with the work of diverse local artists, right here and right now, is one of the best ways to beat that feeling of global gloom.
This week, we're celebrating the return of Les Misérables, running through September 8 at the Academy of Music. Seeing the iconic musical for the first time was a formative experience for BSR team member Gabrielle Kaplan-Mayer. She remembers what it meant to her as a teenager who was happier lunching in the classroom over a big book than braving the cafeteria, and what she's hoping to get when she sees the show again this week for the first time in more than 30 years.
We also want to let you know about an exciting event from our friends at Philadelphia Volunteer Lawyers for the Arts: AI Demystified: Essential Insights for Lawyers Representing Artists. It's happening September 11, with the choice to attend in person, or virtually (the latter option is free for artists!). This session with copyright attorneys will "explore the complex legal issues and considerations surrounding AI's impact on artists and creative work," with a Q&A to follow. It's sure to be interesting for anyone who wants to understand the impact of AI on our creative sector.
Next week, our 2024 Fringe coverage begins! Look out for some preview guides to help you plan your itinerary, and the first of many reviews.
Alaina Johns
BSR editor-in-chief